Film

Bodies and the Industrial Complex

Hyper Functional, Ultra Healthy

Tue 28 Jan 2025
18.45 - 20.30
£8/£6 concessions
Lancaster Room
New Wing

Hyper Functional, Ultra Healthy opens with an evening of screenings and discussion on the structures, systems, and institutions that shape and influence how sex is consumed, represented, and commodified.

Bodies and the Industrial Complex presents the launch and screening of Channel commission Grumpy by Sidsel Meineche Hansen, a new digital artwork dealing with the relationships between automation and arousal, desire and denial. Following the screening, writer Alex Quicho will be joined in conversation with actor Vex Ashley to discuss the broader structures, systems, and institutions that shape and influence how sex is consumed, represented, and commodified. The talk will be chaired by Professor of Cultural Studies, Feona Attwood.  
 
Bodies and the Industrial Complex will conclude with the screening of A Cyborg Manifesto by Four Chambers, a visual essay and personal exploration of a life spent online.

PROGRAMME

18:45: Doors 

19:00: Screening of Grumpy by Sidsel Meineche Hansen 

19:20: In conversation with writer Alex Quicho and actor Vex Ashley, chaired by Feona Attwood 

20:20: Screening of A Cyborg Manifesto by Four Chambers  

A Cyborg Manifesto by Four Chambers contains nudity, depictions of pornography, sexually explicit imagery, and flashing lights. The film is strictly for over 18s only. 



About

Sidsel Meineche Hansen

Sidsel Meineche Hansen is a bursary recipient of the 2020 Turner Prize and included in 59th International Art Exhibition of La Biennale di Venezia, The Milk of Dreams (2022). Solo exhibitions include: Ordet, Milano (2024); gta exhibitions, Zurich; Édouard Montassut, Paris & Company Gallery, New York (2023); Bergen Kunsthall, Bergen (2021); Christian Andersen, Copenhagen (2021); Rodeo, London / Piraeus (2020); Center for Contemporary Arts, Prague (2019); Chisenhale Gallery, London (2019); SMK – The National Gallery of Denmark, Copenhagen (2019); KW Institute for Contemporary Art, Berlin (2018); Kunsthal Aarhus (2018); Index Stockholm (2018); Ludlow 38, New York (2017); Transmission Gallery, Glasgow (2016); Gasworks, London (2016); Temporary Gallery, Cologne (2015); Künstlerhaus Bremen (2015); CUBITT, London (2014).  

Alex Quicho

Alex Quicho is a theorist and research director in London. She has presented works internationally, including at Transmediale, Creamcake, and Espace Niemeyer. Her writing appears in Wired, Dazed, The White Review, and elsewhere. Alex lectures at Central Saint Martins and London College of Fashion. She is a research fellow at the Weibel Institute for Digital Cultures at Die Angewandte and in leadership of SYM, a think-tank for political narrative in the post-platform age. Previous institutional collaborations include Singapore Art Museum, Power Station of Art, Julia Stoschek Collection, Fondation Pernod-Ricard, Rennie Museum, and Nationalgalerie.

Feona Attwood  

Feona Attwood is Editor of Journal of Gender Studies, Sexualities and Porn Studies. Her research has focused on the ways that sex, sexuality and gender are experienced and understood today and the way that media and technology are increasingly central to this. Recent publications include Sex Media (2017), Objectification; On the Difference Between Sex and Sexism (with Susanna Paasonen, Alan McKee, John Mercer and Clarissa Smith, 2020), and Watching Game of Thrones: How Audiences Engage with Dark Television (with Martin Barker and Clarissa Smith, 2021). 

Vex Ashley

Vex Ashley is an independent porn producer and performer and founder of the Four Chambers project. With a background in analog photography, art school bullshit and digital sex online, Vex worked as a cam girl before beginning to make films as Four Chambers in 2013. Self-taught in cinematography with an emphasis on collaborative DIY practices, Four Chambers has spearheaded a new wave of creators making contemporary pornographic work from a new perspective with the aim to expand ideas about what porn can say, do and be. Four Chambers is part of the growing decentralisation from traditional industry practices. Independent, conceptual, creative, porn cinema. She speaks, writes and spends her time talking about making porn creatively and independently, sex as performance, authenticity and the self, art and pornography, technology and sex, camming and online censorship.