Vicki Bennett: Opening Doors

Book ticket

Wed 20 Oct 2021

18.45 - 20.30

£8

River Rooms, New Wing

Part of Somerset House Studios

Vicki Bennett explores the processes of making audiovisual content, working with archives and found footage.

Using collage as a compositional tool opens up endless opportunities to create and experience results that are more than the sum of their parts, opening doors (and windows) to let light in and move beyond limited and repetitive ways of creative thinking.

In this talk, Vicki Bennett discusses and demonstrates her creative process making audio-visual content, working with archives and found footage, showing how she sources and organises this material into finished works which break the rectangle, smashing the thin screen into tiny fragments, looking beyond the frame, climbing through to see what’s behind. The talk will be followed by a Q&A session.

About Vicki Bennett

Under the name People Like Us, Vicki Bennett has been making work available via CD, DVD and vinyl releases, radio broadcasts, concert appearances, gallery exhibits and online streaming and distribution since 1992.

Bennett has developed an immediately recognisable aesthetic repurposing pre-existing footage to craft audio and video collages with an equally dark and witty take on popular culture. She sees sampling and collage as folk art sourced from the palette of contemporary media and technology, with all of the sharing and cross-referencing incumbent to a populist form.

Embedded in her work is the premise that all is interconnected and that claiming ownership of an ‘original’ or isolated concept is both preposterous and redundant. Most of the People Like Us back catalogue has been available for free online since 2002. For many artists, profit and publicity is more likely through free distribution (the gift economy) than independent publishers and distributors, which often struggle with limited resources. Online self-distribution allows an artist to keep their work available, resolving a tension between label production costs and the desire of an artist for work to be available.

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Part of Grounding Practice

A rolling programme shaped by and for creative practioners and critical thinkers.

Header image: still from Fourth Wall, People Like Us