The world of cinematic music does its job very well. In addition to set-ups and pay-offs, it also offers an emotional third dimension that glues the images somehow both to truth and illusion, blending and bending perception to create a language we are all now familiar with, and one we can’t wait for, knowing how it enthralls and takes us out of the everyday.
The world of a David Lynch film pays particular attention to this phenomena and ramps it up to levels far beyond the ‘everyday’ idea, manipulating the viewer’s senses in a nightmarish and outlandish fashion, unbridling a new language and disturbing and confusing logic into a new form of cerebric satisfaction.