French-born, Berlin-based electronic musician Jessica Ekomane and artist and researcher Annie Goh, discuss education, technology and intersectionality in sound art practice, alongside projects past and present.
Part of Mutant Promise's online series for progressive music-making, including introduction courses to coding and sound software, digital field recording, interior soundscape composition, and remote hardware workshops for DIY synth building at home.
(Note: At 30.25 the artist uses the word 'centralised' in place of the intended word 'de-centralised')
Jessica Ekomane is a French-born and Berlin-based electronic musician and sound artist. Her practice unfolds around live performances and installations. Her quadraphonic performances, characterized by their physical affect, seek a cathartic effect through the interplay of psychoacoustics, the perception of rhythmic structures and the interchange of noise and melody. Her ever-changing and immersive sonic landscapes are grounded in questions such as the relationship between individual perception and collective dynamics or the investigation of listening expectations and their societal roots. One of six composers chosen as collaborators by Natascha Süder Happelman for her installation at the German pavilion of the Venice Biennale 2019, her debut album, Multivocal was released on Important Records in 2019. Her work has been presented in various institutions worldwide such as CTM festival (Berlin), Ars Electronica (Linz), Dommune (Tokyo) or Bemis Center for Contemporary Arts (Omaha).
Annie Goh is an artist and researcher working primarily with sound, space, electronic media and generative processes within their social and cultural contexts. She is a Lecturer in XD Pathway in BA Fine Art at CSM and an Associate Lecturer in Sound Arts at LCC. Her work takes a critical approach to contemporary debates in the fields of digital technologies, media arts, generative and computational processes and communication studies, with a particular focus on sound, intersectional feminism, decolonial theory and the politics of knowledge production.
Header Image: Camille Blake
